“The U.S. Navy is seeking permission to kill, permanently injure, or otherwise seriously harm whales and dolphins more than 31 million times over the next five years throughout Southern California, Hawaii, the Gulf of Mexico, and along the Atlantic Coast, using sonar and other equipment. This staggering and unprecedented amount of harm is the Navy’s own estimate of impacts from its training and testing activities to more than 40 marine mammal species, which can include loss of hearing, maiming or bleeding to death. The Navy is seeking permission to increase the use of this devastating sound and to use it intensively throughout an area the size of the country of Mexico. This is our last opportunity to comment on this proposal. The Navy should not be allowed to inflict harm to marine wildlife!” readmore…
This Video narrated by Amy Nieskens is from The Old Farmer’s Almanac:
From The Old Farmer’s Almanac:
Full Moon Names
February’s full Moon is traditionally called the Full Snow Moon because usually the heaviest snows fall in February.
Hunting becomes very difficult, and so some Native American tribes called this the Hunger Moon.
Other Native American tribes called this Moon the “Shoulder to Shoulder Around the Fire Moon” (Wishram Native Americans), the “No Snow in the Trails Moon” (Zuni Native Americans), and the “Bone Moon” (Cherokee Native Americans). The Bone Moon meant that there was so little food that people gnawed on bones and ate bone marrow soup.
The Reserve Hotel Casino
321 Gregory Street
Central City, Colorado 80427
303.582.0800 | 1.800.924.6646
The Reserve sent me some comped show-tickets for the Lava Room. Juice Newton’s picture/name on the ad struck true. I had a total crush on her back in the day. Her persona was wild and free-spirited.
70s – 80s Pop Singing Diva, Juice Newton, is playing The Reserve Hotel Casino for two shows: 7PM and 9Pm on April 20, 2013.
“Born in New Jersey and raised in Virginia, Judith Kay Newton first picked up the guitar as an adolescent, inspired by the Byrds, Bob Dylan and folk artists like Tom Rush and Ian & Sylvia. By age 13 she was performing professionally (for the extravagant sum of $10), curving her small hand around the wide neck of her nylon-stringed axe and assaying folk and country tunes with her already impressive voice . Before long she’d partnered with some older teen musicians. “I’d written some songs but they weren’t very good,” she recalls, “so I mostly focused on my singing.” She would return to songwriting later, though, with some powerful results.”
“She, Otha Young and Tom Kealey formed the country-leaning group Silver Spur; they were signed and relocated to Los Angeles in short order, releasing their debut LP on RCA Records in 1975. By the time they moved to Capitol Records a few years later it was as Juice Newton and Silver Spur. In her capacity as a solo artist, she saw action on the charts with songs like “It’s a Heartache,” “Let’s Keep It That Way” and “Sunshine,” among others. Meanwhile, the Newton-Young composition “Sweet, Sweet Smile” became a hit for pop icons the Carpenters in 1978.”
“But it was with 1981′s Juice that the singer exploded into the mainstream, thanks to the enormous hits “Angel of the Morning,” “Queen of Hearts” and #1 country smash “The Sweetest Thing (I’ve Ever Known).” Delivering tearful, wall-of-sound pop, sprightly country-rock and everything in between with crystalline tone and infectious energy, Newton brought a sparkling authenticity to an era dominated by artifice. Juice went platinum and became an international monster, “The Sweetest Thing” spent 18 weeks in the Top 40, and Juice Newton earned two Grammy nominations for Best Female Vocalist.”
“Her 1982 album, Quiet Lies, was certified gold within months and spawned the hits “Love’s Been a Little Bit Hard on Me” (which scored Newton another Best Pop Female Vocalist Grammy nomination) and “Break It to Me Gently” (#1 AC, #2 Country, #11 Pop), which landed her a Grammy statuette for Best Female Country Vocal Performance. Among the other nominees in that category: Dolly Parton, Emmylou Harris and Rosanne Cash. The disc also featured “Heart of the Night” (#4 AC, #25 Pop). She added a Country Music Award for Best New Female Artist, back-to-back Billboard Female Album Artist of the Year honors and Australian Music Media’s #1 International Country Artist win to her trophy cabinet.”
Other acts coming to the Lava Room in the foreseeable future: Dave Mason
April 27, 2013
Two shows: 7PM and 9PM
May 26, 2013
Two shows: 7PM and 9PM
Gwen Sebastian– SHOW’S OVER
February 17, 2013
Two shows: 7PM and 9PM
“Many voices contributed to Gwen Sebastian’s sudden and long-sought career growth, but which played the biggest part? Certainly her run on NBC’s hit singing competition The Voice was a huge boost. The sound of her coach and country superstar Blake Shelton offering a spot on his tour was equally sweet. One came in the form of a relative’s phone call, suggesting she attend an audition. There’s also the inner voice that brought her through a career crossroads before the show was even a consideration. Most recently, there’s the one that led her to a powerfully uplifting new single called “Met Him In A Motel Room.”
I first saw Monte Rock on the Johnny Carson show back in the day. He was different. He was one of the first effeminate/gay, make-up-wearing, all-out, characters. At the time he was an East coast celebrity hair stylist, “the first openly gay man in the 5os and 60s that got on television.” He was so vulnerable, you felt protective of him. He is no longer vulnerable.
Who is Monte Rock? This is from a recent post on the Zeitgeistworld.com
“Does the name Monti Rock III ring a bell for any of you? How about Disco Tex? Monti Rock III was one of the first quasi-openly gay men that I ever saw on TV. He was a frequent talkshow guest, first on Merv Griffin’s show starting in the mid-60s and then he was on Johnny Carson’s Tonight Show A LOT in the 70s and 80s. (He was probably on the tonight show as often as Steve Martin was during that era). I was really too young to have consciously realized what Monti’s flamboyant persona meant, but I think with a character like Rock (not to mention Paul Lynde, or Kenneth Williams in the British “Carry On”), you just kind of got it by osmosis. Or via the eyeliner and glitter. (Or your dad’s grumbling every time Monti appeared on his TV set, perhaps!) I must admit that the name Monti Rock III has not crossed my mind often in the past, I don’t know, maybe… three decades, but I was happy to read this fun article from Paisley Dalton at Zeitgeistworld (via World of Wonder) indicating that Monti Rock is indeed alive and well and living in Las Vegas.”
“NYC in the 70s would have been just another cesspit had it not been for the sparkle provided by the head queen himself Monti Rock III. Having scored two top 40 hits Get Dancin’ and I Wanna Dance Wit’ Choo, produced by Bob Crewe (The Four Seasons, Frankie Valli, early Michael Jackson and Roberta Flack), under the group name Disco Tex and His Sex-O-Lettes, Monti provided the soundtrack for many gay men who were celebrating newly found sexual freedom on the enfranchised dance floors in New York’s underground disco scene. After fame and notoriety hit from over 80 appearances on talk shows like Johnny Carson and Merv Griffin and a feature spot in mega movie Saturday Night Fever with John Travolta, Rock exited stage left with an addiction to booze, a severed relationship from Bob Crewe and a self-imposed moratorium on anything having to do with the glitz, glamour and gayness that made him beloved and in his words ‘a joke’. Now at 72, Monti is talking again…about life as a hustler, endowment (not talkin about money here!), the effete glitter years and… a new life as an ordained minister? Zeitgeistworld: Hey Monti! What’s up with you? Monti Rock III: First of all, I thank you for searching me out. I guess most people think I’m dead. Right? Zeitgeist: To be honest, I don’t think most people under 40 have any idea about you and your contributions. I was a bit surprised that your still doin’ it in Las Vegas. Monti Rock III: I’m working on a movie. The focus of the film is ‘hope and never giving up’. I see it as a guy, the first openly gay man in the 5os and 60s that got on television. The story should start with that. How being openly gay was very romantic in that era. What it was like to be a trailblazer. Everyone knew I was gay. I was very over the top, darling! If you donned long hair and beads and wore pancake make up in 1961, if that wasn’t openly gay, what was it? The ‘queens’ didn’t do that back then.” read more…