Category Archives: LVBC JUKE BOX

Come Softly To Me by The Fleewoods

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Come Softly To Me by The Fleewoods

come-softly-come-softly

“Come Softly to Me” is a popular song recorded by The Fleetwoods, composed of Gretchen Christopher, Barbara Ellis, and Gary Troxel, who also wrote it.[1] The original title was “Come Softly”, but was changed en route to its becoming a hit. Bob Reisdorf, the owner of Dolphin Records, which in 1960 changed to Dolton Records, was responsible for the title change. He thought that “Come Softly” might be too obvious and considered risqué, so he had it changed to “Come Softly to Me.” The title phrase never appears in the song’s lyrics.

Recording the song at home, the group sang it a cappella with the rhythmic shaking of Troxel’s car keys. The tape was then sent to Los Angeles where the sparse instrumental accompaniment was added, including an acoustic guitar played by Bonnie Guitar, herself a successful singer-songwriter (“Dark Moon”) and Reisdorf’s in-house record producer. Released in 1959, the single reached #1 on the U.S. Billboard Hot 100 in April.[]

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Steely Dan – Haitian Divorce

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Steely Dan – Haitian Divorce

Meaning of “Haitian Divorce” by Steely Dan
BY SMF · PUBLISHED APRIL 9, 2018 · UPDATED SEPTEMBER 10, 2020

“Haitian Divorce” is a song performed by the American rock band Steely Dan. The lyrics of the song tell the story of a married woman who travels all by herself to Haiti in order to get a quick divorce from her husband. While in Haiti, she has a very brief romantic affair with a Haitian man and somehow ends up being unable to get the divorce that took her to the Caribbean country in the first place. She returns home to America only to find out that she’s pregnant. Nine months later she gives birth to a half Haitian baby.

“The lyrics of “Haitian Divorce” are inspired by how 1970s Haiti used to be a hot spot for Americans looking for a quick and easy divorce. In the early 1970s, the Haitian government made it ridiculously easy for foreigners (especially Americans) to come into their country and get divorced from their spouses. The laws in Haiti made the divorce process so easy for foreign nationals by getting rid of a number of red tapes, including lengthy waiting periods and residency requirements. In addition to that, both partners were not required to be present at the hearing on their divorce. All in all, a foreigner could enter into Haiti and obtain a divorce in just a matter of hours!”

“It’s noteworthy that in addition to giving foreign nationals the opportunity of obtaining a quick and painless divorce, Haiti also gave couples the option of a very quick marriage devoid of so many red tapes. So generally speaking, a married foreigner could just travel to Haiti with his/her wife/husband-to-be, get a divorce and get married to his/her new flame within a matter of days.”

Read more …

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Hollywood Nights

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HOLLYWOOD NIGHTS by Bob Seger

hollywood-nights-bobseger

“Hollywood Nights” is a song written and recorded by American rock artist Bob Seger. It was released in 1978 as the second single from his album, Stranger in Town. The single edit reached No. 12 on the US Billboard Hot 100 chart. In the UK, the full five-minute version was released as a single on black and silver vinyl, and gave him his chart debut at No. 42. A live version from the in-concert album Nine Tonight in 1981 was issued in the UK as a single and charted at No. 49, while a reissue of the original version in 1995 charted at No. 52.

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El Paso by Marty Robbins

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“El Paso” is a western ballad written and originally recorded by Marty Robbins, and first released on Gunfighter Ballads and Trail Songs in September 1959. It was released as a single the following month, and became a major hit on both the country and pop music charts, reaching No. 1 in both at the start of 1960 (the first No. 1 hit of the 1960s). It won the Grammy Award for Best Country & Western Recording in 1961, and remains Robbins’ best-known song.

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Death in the West

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Death in the West
Death in the West

From The NewYorker.com
“A century ago, Butte, Montana, a.k.a. Dashiell Hammett’s Poisonville, was the rowdy epicenter of American copper mining; these days, it’s a source of excellent local-history podcasts. “Richest Hill” alchemized a toxic-waste saga into riveting entertainment; the new, independently produced series “Death in the West” unspools the story of the murder of the martyred union organizer Frank Little—still regarded by many as a “recently passed comrade”—in 1917, when Butte was “a city tailor-made for conspiracy and mayhem.” Reported, written, and hosted by Chad and Zach Dundas and Erika and Leif Fredrickson, the series employs rigorous reporting, memorable details (a hook-handed gunman, a Prohibition-era speakeasy), and sophisticated sound design (cemetery crickets, archival interviews and songs), as well as local flavor: music by Montana bands, support from a record store and an ice-cream shop.”

— Sarah Larson
https://www.newyorker.com/goings-on-about-town/podcasts/death-in-the-west-11-23-20

Here’s a link to the Death in the West podcast:
https://deathinthewestpod.com/episodes

Here’s a link to my current favorite song which happens to be from from the podcast, “TUNE FOR T” by Caroline Keys.

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Glen Campbell – Gentle on My Mind

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From: Colouring The Past


From WIKI
“Gentle on My Mind” is a song written by John Hartford,[] which won four 1968 Grammy Awards. Hartford won the award for Best Folk Performance and Best Country & Western Song (Songwriter). The other two awards Best Country & Western Solo Vocal Performance, Male and Best Country & Western Recording, went to American country music singer Glen Campbell for his version of Hartford’s song.

The song was released in June 1967 as the only single from the album of the same name. It was re-released in July 1968 to more success. Glen Campbell’s version has received over 5 million plays on the radio. Campbell used “Gentle on My Mind” as the theme to his television variety show, The Glen Campbell Goodtime Hour between 1969 and 1972. Dean Martin’s version, recorded in 1968, was a major hit in the United Kingdom; three versions of the song, Campbell’s, Martin’s and Patti Page’s, all reached the top ten of the U.S. easy listening chart in 1968. The song was ranked number 16 on BMI’s Top 100 Songs of the Century.[]

Read more…

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Louis Prima – Pennies from Heaven

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“Pennies from Heaven” is a 1936 American popular song with music by Arthur Johnston and lyrics by Johnny Burke.

“It was introduced by Bing Crosby with Georgie Stoll and his Orchestra in the 1936 film of the same name. It was recorded in the same year by Billie Holiday and afterwards performed by Doris Day, Jimmy Dorsey & his Orchestra, Arthur Tracy, Eddy Duchin, Tony Bennett, Dinah Washington, Clark Terry, Frances Langford, Big Joe Turner, Lester Young, Dean Martin, Gene Ammons, The Skyliners (a hit in 1960), Legion of Mary, Guy Mitchell, and Harry James.”

Louis Prima – The Call of the Wildest (1957)

Pennies From Heaven
Soloist, Vocals – Louis Prima
Tenor Saxophone – Sam Butera
Written-By – Arthur Johnston, Johnny Burke

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Astrud Gilberto and Stan Getz – The Girl From Ipanema (1964) LIVE

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From Wikipedia, the free encyclopedia
“Garota de Ipanema” (“The Girl from Ipanema”) is a Brazilian bossa nova and jazz song. It was a worldwide hit in the mid-1960s and won a Grammy for Record of the Year in 1965. It was written in 1962, with music by Antônio Carlos Jobim and Portuguese lyrics by Vinícius de Moraes. English lyrics were written later by Norman Gimbel.[1]

The first commercial recording was in 1962, by Pery Ribeiro. The Stan Getz recording featuring the vocal debut of Astrud Gilberto became an international hit. This version had been shortened from the version on the album Getz/Gilberto (recorded in March 1963, released in March 1964), which had also included the Portuguese lyrics sung by Astrud’s then husband João Gilberto. In the US, the single peaked at number five on the Billboard Hot 100, and went to number one for two weeks on the Easy Listening chart.[2] Overseas it peaked at number 29 in the United Kingdom, and charted highly throughout the world.

Numerous recordings have been used in films, sometimes as an elevator music cliché. It is believed to be the second most recorded pop song in history, after “Yesterday” by The Beatles.[3] The song was inducted into the Latin Grammy Hall of Fame in 2001.[4] In 2004, it was one of 50 recordings chosen that year by the Library of Congress to be added to the National Recording Registry.[5] In 2009, the song was voted by the Brazilian edition of Rolling Stone as the 27th greatest Brazilian song.[6]
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https://www.youtube.com/watch?v=sVdaFQhS86E

Django Reinhardt & Stéphane Grappelli – Jattendrai Swing 1939 – LIVE!

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“Jean Reinhardt (23 January 1910 – 16 May 1953), known to all by his Romani nickname Django (French: [dʒãŋɡo ʁɛjnaʁt] or [dʒɑ̃ɡo ʁenɑʁt]), was a Belgian-born Romani-French jazz guitarist and composer. He was the first major jazz talent to emerge from Europe and remains the most significant.”

“With violinist Stéphane Grappelli,[] Reinhardt formed the Paris-based Quintette du Hot Club de France in 1934. The group was among the first to play jazz that featured the guitar as a lead instrument.[] Reinhardt recorded in France with many visiting American musicians, including Coleman Hawkins and Benny Carter, and briefly toured the United States with Duke Ellington’s orchestra in 1946. He died suddenly of a stroke at the age of 43.”

“Reinhardt’s most popular compositions have become standards within gypsy jazz, including “Minor Swing”,[] “Daphne”, “Belleville”, “Djangology”, “Swing ’42”, and “Nuages”. Jazz guitarist Frank Vignola claims that nearly every major popular-music guitarist in the world has been influenced by Reinhardt.[6] Over the last few decades, annual Django festivals have been held throughout Europe and the U.S., and a biography has been written about his life.[] In February 2017, the Berlin International Film Festival held the world premiere of the French film Django.”
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Frank Sinatra- I’ve got you under my skin

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This is, I think, the best live version. I love when he exclaims -after a rising crescendo, about 2:01 into the song- “Run for cover – run and hide!”

Here are two more versions, also great arrangements, etc.

“I’ve Got You Under My Skin” is a song written by Cole Porter in 1936. It was introduced that year in the Eleanor Powell musical film Born to Dance in which it was performed by Virginia Bruce. It was nominated for the Academy Award for Best Original Song that year.

It became a signature song for Frank Sinatra, and, in 1966, became a top 10 hit for the Four Seasons.
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