“Gentle on My Mind” is a song written by John Hartford, which won four 1968 Grammy Awards. Hartford won the award for Best Folk Performance and Best Country & Western Song (Songwriter). The other two awards Best Country & Western Solo Vocal Performance, Male and Best Country & Western Recording, went to American country music singer Glen Campbell for his version of Hartford’s song.
The song was released in June 1967 as the only single from the album of the same name. It was re-released in July 1968 to more success. Glen Campbell’s version has received over 5 million plays on the radio. Campbell used “Gentle on My Mind” as the theme to his television variety show, The Glen Campbell Goodtime Hour between 1969 and 1972. Dean Martin’s version, recorded in 1968, was a major hit in the United Kingdom; three versions of the song, Campbell’s, Martin’s and Patti Page’s, all reached the top ten of the U.S. easy listening chart in 1968. The song was ranked number 16 on BMI’s Top 100 Songs of the Century.
“Pennies from Heaven” is a 1936 American popular song with music by Arthur Johnston and lyrics by Johnny Burke.
“It was introduced by Bing Crosby with Georgie Stoll and his Orchestra in the 1936 film of the same name. It was recorded in the same year by Billie Holiday and afterwards performed by Doris Day, Jimmy Dorsey & his Orchestra, Arthur Tracy, Eddy Duchin, Tony Bennett, Dinah Washington, Clark Terry, Frances Langford, Big Joe Turner, Lester Young, Dean Martin, Gene Ammons, The Skyliners (a hit in 1960), Legion of Mary, Guy Mitchell, and Harry James.”
Louis Prima – The Call of the Wildest (1957)
Pennies From Heaven Soloist, Vocals – Louis Prima Tenor Saxophone – Sam Butera
Written-By – Arthur Johnston, Johnny Burke
From Wikipedia, the free encyclopedia
“Garota de Ipanema” (“The Girl from Ipanema”) is a Brazilian bossa nova and jazz song. It was a worldwide hit in the mid-1960s and won a Grammy for Record of the Year in 1965. It was written in 1962, with music by Antônio Carlos Jobim and Portuguese lyrics by Vinícius de Moraes. English lyrics were written later by Norman Gimbel.
The first commercial recording was in 1962, by Pery Ribeiro. The Stan Getz recording featuring the vocal debut of Astrud Gilberto became an international hit. This version had been shortened from the version on the album Getz/Gilberto (recorded in March 1963, released in March 1964), which had also included the Portuguese lyrics sung by Astrud’s then husband João Gilberto. In the US, the single peaked at number five on the Billboard Hot 100, and went to number one for two weeks on the Easy Listening chart. Overseas it peaked at number 29 in the United Kingdom, and charted highly throughout the world.
Numerous recordings have been used in films, sometimes as an elevator music cliché. It is believed to be the second most recorded pop song in history, after “Yesterday” by The Beatles. The song was inducted into the Latin Grammy Hall of Fame in 2001. In 2004, it was one of 50 recordings chosen that year by the Library of Congress to be added to the National Recording Registry. In 2009, the song was voted by the Brazilian edition of Rolling Stone as the 27th greatest Brazilian song.
“Jean Reinhardt (23 January 1910 – 16 May 1953), known to all by his Romani nickname Django (French: [dʒãŋɡo ʁɛjnaʁt] or [dʒɑ̃ɡo ʁenɑʁt]), was a Belgian-born Romani-French jazz guitarist and composer. He was the first major jazz talent to emerge from Europe and remains the most significant.”
“With violinist Stéphane Grappelli, Reinhardt formed the Paris-based Quintette du Hot Club de France in 1934. The group was among the first to play jazz that featured the guitar as a lead instrument. Reinhardt recorded in France with many visiting American musicians, including Coleman Hawkins and Benny Carter, and briefly toured the United States with Duke Ellington’s orchestra in 1946. He died suddenly of a stroke at the age of 43.”
“Reinhardt’s most popular compositions have become standards within gypsy jazz, including “Minor Swing”, “Daphne”, “Belleville”, “Djangology”, “Swing ’42”, and “Nuages”. Jazz guitarist Frank Vignola claims that nearly every major popular-music guitarist in the world has been influenced by Reinhardt. Over the last few decades, annual Django festivals have been held throughout Europe and the U.S., and a biography has been written about his life. In February 2017, the Berlin International Film Festival held the world premiere of the French film Django.”
This is, I think, the best live version. I love when he exclaims -after a rising crescendo, about 2:01 into the song- “Run for cover – run and hide!”
Here are two more versions, also great arrangements, etc.
“I’ve Got You Under My Skin” is a song written by Cole Porter in 1936. It was introduced that year in the Eleanor Powell musical film Born to Dance in which it was performed by Virginia Bruce. It was nominated for the Academy Award for Best Original Song that year.
It became a signature song for Frank Sinatra, and, in 1966, became a top 10 hit for the Four Seasons.
“Begin the Beguine” is a popular song written by Cole Porter. Porter composed the song between Kalabahi, Indonesia, and Fiji during a 1935 Pacific cruise aboard Cunard’s ocean liner Franconia. In October 1935, it was introduced by June Knight in the Broadway musical Jubilee, produced at the Imperial Theatre in New York City. Beguine is a dance and music form, similar to a slow rhumba.
The last part of the song – after a slow buildup – kicks A$$ like no other. WC LasVegasBuffetClub
“The beguine is a dance and music form, similar to a slow rhumba. It was popular in the 1930s, coming from the islands of Guadeloupe and Martinique, where in local Creole Beke or Begue means a White person, and Beguine is the female form.” WIKI
It has been covered by numerous artists from various musical genres, most notably by Peggy Lee, whose 1958 rendition became the most widely known version of “Fever” and the singer’s signature song. Lee’s version contained rewritten lyrics different from the original and an altered music arrangement. It became a top-five hit on the music charts in the UK and Australia in addition to entering the top ten in the US and the Netherlands. “Fever” was nominated in three categories at the 1st Annual Grammy Awards in 1959, including Record of the Year and Song of the Year.
Peggy Lee’s alluring tone, distinctive delivery, breadth of material, and ability to write many of her own songs made her one of the most captivating artists of the vocal era, from her breakthrough on the Benny Goodman hit “Why Don’t You Do Right” to her many solo successes, singles including “Mañana,” “Lover” and “Fever” that showed her bewitching vocal power, a balance between sultry swing and impeccable musicianship. Born Norma Egstrom in Jamestown, North Dakota, she suffered the death of her mother at the age of four and endured a difficult stepmother after her father remarried. Given her sense of swing by listening to Count Basie on the radio, she taught herself to sing and made her radio debut at the age of 14. She made the jump to Fargo (where she was christened Peggy Lee), then to Minneapolis and St. Louis to sing with a regional band. Lee twice journeyed to Hollywood to make her fortune, but returned unsuccessful from both trips.