All posts by William Carbone

The Essence of Bad Boys by Susannah

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This story was first posted 8/16/2011.

Marlon Brando from The Wild One
Marlon Brando in *The Wild One-from Sher-Dog.Net

You’ve heard of “Bad Boys”, right? You’ve probably even met some. Ah, you’ve dated one? Then you’ve got some scars in your heart to remember him by, don’t you. You say you were his girlfriend? No, sweetie, bad boys don’t have girlfriends; they have women, lots of women. Because women, all women, can spot a bad boy a mile away, and whatever hormone fragrance she puts out when she sees one is picked up by him immediately, and bam – she’s a target.

There he is – the bad boy – standing on the other side of the room. He may be wearing a black leather jacket or not. Even if he’s not, and say you’re a beautiful, smart and enchanting female who can have her pick of any guy in the room, you want him. And only him. And suddenly you’re not thinking about relationships or marriage or kids or contentment or happiness. In fact, you’re not thinking at all; you’re operating from something other than your human mind or human heart. You are operating from what psychologists call the Reptilian Brain, that lower part of our brain where our basic instincts dwell.

It is your basic instinct that is telling you that you want him and that you have to have him, and damned be the consequences. So why does your Reptilian Brian tell you to go get him? Because he has what you, a woman, wants and needs – intense masculine energy and great masculine genes. In order to keep the species going, it takes good masculine and good feminine genes. You’re saying, “Oh, OMG, this whole attraction thing is evolutionary?” Yep. In the animal world, the males have to compete with each other for the females. And bad boys, while they’re completely inept at being emotionally mature and responsible, definitely step up to this plate. Bad boy’s good masculine genes trigger your good feminine genes, and we all know where this going…

But, you say, what about those psychologists who tell us that being abused when we were children is the reason that bad boys are bad and that some girls are attracted to them? In terms of bad boys who are actually abusive and women who are drawn to being abused, yes, there is more than something to that. However, I’m talking about the essence of “Bad Boy” here; not psychopathic nor criminal behavior. I am talking about the energy and the essence of bad boys, including the energy and essence of all the bad boys out there who are not criminals nor have ever physically or verbally abused a woman.

This energy and essence is in his genes and he’s hooked into it. He’s got it. You may not consciously know what it is, but you know that he has it. It comes across in the way he dresses, the way he moves, the way he talks, the way he looks at you. He’s confident, he’s independent, and he lives by his own rules. Most of all, he manifests that intense masculine energy, and it doesn’t show up simply in how he presents himself to the world; it is seeping out of his pores. And, in order to keep the species going, your Reptilian Brain tells you that you absolutely must mate with this alpha gorilla.

So, you do. And then what happens? Do your human mind and heart finally kick in, telling you that you’re so totally in love with him and that you can’t live without him that you need to embark on the project of changing him into a loving and caring husband and father? Some projects in life can be completed. This one can’t be. You can’t change him. You can’t turn him from an alpha stud preying on women into the Prince Charming you’ve always dreamed about. Prince Charming he most definitely is not.

Sounds trite, but it’s true – only he can change himself. But won’t your love change him into a caring, emotionally open guy who will pledge his undying love to you and take great care of your mutual children? Nope. Because your love ain’t getting through to him, sweetie. He’s walled in, and his emotions are not coming out to play.

Can he change? Sure. But he’s the one who has to feel the need to change, and do all the work to change, and it’s probably going to come, with time and age, from the pain he feels from being emotionally isolated.

So, what do you do? Well, you can stay and get your heart broken, or – here comes the hard part – you leave. He’s going to dump you anyway, and doesn’t it give you some power over him to end it by your own initiative? Go home and cry, rant and rave to your girlfriends, get some therapy, start a charity, write a book, write ten songs about Bad Boys, watch all the James Dean and Marlon Brando movies you want. Just get him out of your system, chalk it all up to evolutionary influences, be happy that you’ve got feminine genes that can get triggered, and then remember your dream that you’ve had since you were a little girl about finding your perfect guy. He’s out there and he’s waiting for you. – Susannah

*The Wild One

This is an opening scene from The Wild One – from “tristansladyhawk.”

A Stanley Kramer Company Production/Columbia Pictures

The Essence of Bad Boys © 2011 Copyright – Susannah
All rights reserved.

Post/videos assembled by LasVegasBuffetClub.Com
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Las Vegas showgirls protest hotel resort fees

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Original post from AP – Thursday, July 21, 2011 | 11:05 a.m.
The Associated Press


YouTube Video is from brad88ford.

Las Vegas headliner Marie Osmond and dozens of showgirls are protesting resort fees charged at many Las Vegas hotels.

Osmond and the roughly 50 performers from the Jubilee! show at Bally’s Las Vegas hotel-casino marched on the Las Vegas Strip Thursday morning to promote Caesars Entertainment’s no fee policy.

Caesars Entertainment claims its no-fees policy saves travelers $3 million per month.

Las Vegas resort fees are usually not included in an advertised room rate. They cover hotel amenities ranging from fitness center access and internet service to valet parking.

The event Thursday morning was dubbed a gesture of solidarity with the American consumer.

Magicians Penn & Teller and other entertainers also joined the protest.

The writing is on the wall: The Crawling Crab in Denver, Colorado

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The Crawling Crab
781 South Federal Boulevard
Denver, Colorado
80219

The Crawling Crab

In the midst of Denver’s Little Asia on Federal Boulevard in Denver, Colorado there’s a Crawling Crab. Actually this small, hip, modern, Cajun-seafood restaurant beckons customers with a bright-red Dungeness Crab on the sign. Funny how one can judge this restaurant by it’s cover (facade.) It’s a good facade.

Wooden dock-pilings, heavy ropes, even a Captain’s Wheel and a shark gives one a not-so-subtle hint that this is a restaurant where one may find seafood. Blue Crab, Dungeness Crab, Snow Crab, King Crab Legs, Lobster, Crawfish (in season – call,) Shrimp, Clam and Oysters are on the menu – served with a choice of four different seasonings, such as RAJUN CAJUN, in varying degrees of heat (mild, medium & hot.) Market Price is the going rate for most of the above. The shrimp runs around $8.99 for a full pound, and they are huge.

Also Fried Wings, Chicken Tenders, Pop Pop Chicken, Baskets W/Cajun Fries: Catfish or Shrimp or Calamari or Oysters,
then there’s Gumbo, soups and salads, and beer – the only adult beverage at the present time.

Back to the shrimp, which I shall do (in actuality) A.S.A.P. – the pound of huge: heads, tails and shell-on boiled shrimp is served in a plastic bag (double-bagged) swimming in sauce, which, in my case, was The Crawling Crab’s All-In sauce which consists of, as the name implies, a measure of each of the three sauces, or… Let me say that this was the best – quality and value – shrimp dish (even without the dish) I think I’ve ever had. The shrimp were large, fresh and firm, the sauce was delicately seasoned, yet fully flavored, the portion was HUGE. I’m thinking at least a dozen large shrimp for $8.99. Bet this price won’t last. I was very happy with my dinner. View the complete menu on the Crawling Crab’s Official Website.

If you want metal flatware, you may have to bring your own. I didn’t see any, nor did I see any glassware. The good news is that there’s a roll of paper-towels – à la Hooter’s – and you will need it. You’ll leave the table several times to wash your hands and face at the convenient wash-station on the south wall (rear-right in the photo).

Perhaps one of the most appealing things about this neat, little restaurant (besides the food) are the bright, intelligent, smiling faces of the largely Asian clientele, happily working on their meals – wearing the Crawling Crab’s plastic bibs.

The owner, Anh Nguyen and staff are also Asian.

The Crawling Crab's interior
The Crawling Crab's interior - Lori Midson

Parking in front, booths and tables, several large screen TVs and friendly staff help make this restaurant a success.

“The writing is on the wall” simply means that customers are encouraged to mark the walls and the butcher-paper on the tables with a black marker. One can see this garish, gastronomic, graffiti in the photo.

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The Moon will be full August 13, 2011

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Lone Ranger & Tonto Cartoon
Lone Ranger & Tonto Cartoon, DrAbruzzi.com

Well, this is what we should do: We all should step outside our front doors at the second hour past the time that darkness has settled – on the night of the full Moon – at the top of the hour, and celebrate the full Moon together. Sort of a global, Full Moon Kirtan. Don’t worry you won’t get lost, just let the wind guide you.
HAVE YOU HUGGED YOUR MOON TODAY?

The Moon will be 100% Full: Saturday * August 13, 2011 * 10:57 A.M. Las Vegas time.

From Western Washington University
“American Indians gave names to each of the full moons to keep track of the passing year. The names are associated with the entire month until the next full moon occurs. Since a lunar month averages 29 days, the dates of the moons change from year to year. Here are titles most closely associated with calendar months.”

Two Native tribes are mentioned here – click the WWU link to access more information.

BACK EAST
Algonquin
Northeast to Great Lakes

Algonquin Woman with Children
Algonquin Woman with Children

According to Western Washington University the Algonquin term for August’s moon is: “micheenee kesos” or “when indian corn is edible.”

OUT WEST
Navajo
Southwest, New Mexico

Navajo Magic of the Southwest
Navajo Magic of the Southwest

I couldn’t find a Navajo word for this moon. According to Western Washington University the Comanche (Southern Plains) name for August’s Moon is: “tahma mua” or “summer moon.”

From The Old Farmer’s Almanac
“Historically, the Native Americans who lived in the area that is now the northern and eastern United States kept track of the seasons by giving distinctive names to the recurring full Moons.”

“Each full Moon name was applied to the entire month in which it occurred. These names, and some variations, were used by the Algonquin tribes from New England to Lake Superior.”

According to The Old Farmer’s Almanac, August’s Moon is called: The Full Sturgeon Moon. “Some Native American tribes knew that the sturgeon of the Great Lakes and Lake Champlain were most readily caught during this full Moon. Others called it the “Green Corn Moon ” or the “Grain Moon.”

FullMoon.Info – More about the Full Moon
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Link Wray
Creator of THE POWER CHORD

Writing about Native Americans prompted me to include the following links to a truly great Link, LINK WRAY, that is – The FATHER OF EDGY, ELECTRIC, EAR-SCRATCHING ROCK & ROLL.
Fred Lincoln “Link” Wray Jr (May 2, 1929 – November 5, 2005)

Minimalist electric-guitar strummer, Link Wray was an All-American, Native-American, innovative, Rock & Roll founder of rough-tough, scratchy, glaring, guitar-technique – featuring THE POWER CHORD – and it was as powerful as the sound of a chain-saw cutting through a Hollywood night. His breakthrough, ground-breaking monster hit from 1958 (with His Ray Men) RUMBLE is perhaps the genesis of Rock & Roll power-guitar on steroids. Link Wray defines R&R cool…

“Part Shawnee Indian, Wray frequently spoke of his ancestry in performances and interviews. Three of the songs he performed bear the names of American Indian tribes: “Shawnee”, “Apache”, and “Comanche.” “Apache” was an instrumental composed by Jerry Lordan, which became a hit in the UK for The Shadows in 1960. Wray recorded a cover of the song 30 years later, which by then was also associated with everyone from The Ventures to the Incredible Bongo Band” more from WIKI

LVBC note: The WIKI page downplays the fact that a guy by the name of Jørgen Ingmann [a musician from Copenhagen, Denmark] recorded Apache in 1961, which climbed to #2 on the US charts, the only charts that really matter, according to some. Apache was among the first records to use sophisticated electronic recording techniques, if not the first. An afterthought reminds me that Santo and Johnny’s SLEEPWALK preceded APACHE by a few years (1959.) Sleepwalk is probably my favorite all-time guitar instrumental.

Also from WIKI
“Wray served a hitch in the US Army and was a veteran of the Korean War, where he contracted tuberculosis that ultimately cost him a lung. His doctors told him that he would never sing again, so Link concentrated on his heavy guitar work. Despite this, on his rare vocal numbers he displays a strong voice and a range equivalent to that of Clarence “Frogman” Henry’s.”

Here’s the complete song from the 45 (45 RPM record) with minimal video:

This is a clip of an older Wray in concert:

Link Wray was never given proper accolades for this simple, yet staggeringly powerful tune. – BC
Every guitarist could play it because of it’s simplicity, however Link Wray was the innovator.
The song was part of the soundtrack of the film, PULP FICTION.
The electronics-heavy APACHE was also part of this genres foundation. Both songs used cutting-edge electronics such as “tremelo” and echo.

Update August 13, 2011 at 8:00 PM
May as well keep going: Listen to the use of electronics in this early innovation from 1962. Booker T’s guitarist switches on the reverb and everything else in this great foundational mega-hit. When I was up In Northern California, Booker T had a working studio in Sausalito. GREEN ONIONS

The Navy SEAL Foundation

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This article is from The Navy Seals Foundation’s Official Website.

Seal Heritage Center
Seal Heritage Center

The Navy SEAL Foundation is proud to serve the Naval Special Warfare community including the U.S. Navy SEALs, SWCC, NSW Support Personnel, and their families.

The loss of the U.S. Navy SEALs in Afghanistan is the kind of news the Navy SEAL Foundation fears—but prepares for in our mission to provide immediate and ongoing support and assistance to the Naval Special Warfare community and their families. When a member of the community falls, the Foundation helps the families with memorial services and defrays the financial costs of travel for immediate family members who live far away. These warriors were at the tip of the spear in the global war on terror, exhibiting extraordinary skill, courage, and commitment. It’s paramount for the Foundation to support their families here at home. When a warrior falls, the Foundation is prepared to take the burden of cost away from the families and help them with planning. The families will have enough to concern themselves with during this time. Our deepest sympathy is extended to the families of those who lost loved ones in this devastating tragedy. Please know we hold you close in our thoughts—and are here to help you in the challenging times ahead.
-Vice Adm. Albert “Bert” Calland, III, USN, Chairman, Navy SEAL Foundation

Text to Donate!
Here’s a way to quickly donate to the Navy SEAL foundation using your cell phone! Text “SEAL” to 90999 to give $10 to help support the Navy SEAL foundation! It’s quick, easy and your donation goes a long way to help us with our mission!

Read more from The Navy Seal Foundation’s website, and find more ways to help…

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Wheel plans spinning

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Project Linq
Project Linq

Caesars Entertainment aims to start work this month on the $500 million entertainment, retail and dining complex known as Project Linq.

Project Linq Cabin
Project Linq Cabin

This artist’s rendering shows one of 32 cabins on the proposed observation wheel of Project Linq. Each cabin would hold 30 people. COURTESY OF PROJECT LINQ

Posted: Aug. 5, 2011 | 2:01 a.m.

BY HOWARD STUTZ
LAS VEGAS REVIEW-JOURNAL

The question over competing giant Ferris wheel-type projects on the Strip comes down to who has all their bearings.

At least, that’s what developer Howard Bulloch says.

Bulloch, who is behind the Skyvue development on the south end of the Strip across from Mandalay Bay, said he has acquired the two giant 23,000-pound bearings needed to operate a 500-foot tall London Eye-style wheel that is the centerpiece of the project. He unveiled one of the bearings back in May, when he announced plans for the $300 million retail and entertainment space.

He brought up the issue of bearings on Thursday, the day after Clark County approved the land use and design for Project Linq, a $500 million complex being developed by Caesars Entertainment between the Flamingo and Imperial Palace, that includes a 550-foot Ferris wheel as its centerpiece.

Bulloch didn’t know whether Caesars had acquired their bearings.

“The two large bearings take 18 months to manufacture,” Bulloch said.

Caesars spokesman Gary Thompson said Thursday that the company is planning to reveal more details about Project Linq during a briefing on Aug. 17, including the technological aspects of constructing the observation wheel, which would be larger than the Singapore Flyer and the London Eye. The wheel’s 32 cabins will each carry up to 30 people.

Company officials told Clark County they hoped to start work on Project Linq later this month. The work will employ 3,000 construction workers; when it’s complete, it will create 1,500 jobs read more from The RJ

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So you think you can play guitar? Filomena Moretti performing: Albeniz – Asturias

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Don’t mean to up-stage the Guitar Center boys, however,

I was searching YouTube for Andres Segovia when I discovered this brilliant, passionate guitarist. She hails from Sardinia, Italy, is young and beautiful, and plays with an impeccable technique. I thought – with one exception being Charo – that one had to be an old-man like Segovia to play like this. I guess Segovia was once young also. Seems like I’ll always know him as that classy, suit-wearing old-man who was – if not still is – the greatest classical guitarist in the history of the world.

Young ladies (or young-men) like this experience a great euphoria. Their music will give them great comfort throughout their lives. Classical guitar performance is not unlike transcendental meditation. If you click the Segovia video you’ll see Andres Segovia (around 4:26) in position as a perfect Buddha. That is to say that he looks like a Buddha figure in meditation. What a lovely man he was.

WIKI Article about author Isaac Albeniz

Holy smoke… Do you like it hot?

Classical Guitar Review.Com
BvE0LsIeNGM

Sahara offers last goodbyes after nearly 60 years

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This is reprint of an older post, from around May of this year, however I thought YOU may have missed the demise of the Sahara.
This is very important news, for Las Vegites. After all, this is like Las Vegas loosing an arm or a leg.

Sahara Hotel - August 1954
Sahara Hotel - August 1954

BY HOWARD STUTZ
LAS VEGAS REVIEW-JOURNAL
Posted: May 14, 2011 | 8:52 p.m.
Updated: May 15, 2011 | 1:10 p.m.

In it’s day, the Sahara was Las Vegas’ epicenter.

Peter Villalobos would know.

For almost 35 years, he manned the Strip hotel’s front desk.

He watched the parade of celebrities and the pseudocelebrities.

He supervised thousands of hotel check-ins for high rollers and want-to-be high rollers.

Villalobos will be at his front desk terminal Monday when the Sahara’s final guest checks out at around noon. The nearly 60-year-old Strip resort will cease operations two hours later, a victim of both the recession and of progress.

Sahara owners SBE Entertainment of Los Angeles and private equity firm Stockbridge Real Estate of San Francisco acquired the hotel-casino in 2007 from the family of the late casino pioneer William Bennett. The new owners had hopes of breathing new life into the resort. They have not announced plans for the 18-acre corner of the Strip and Sahara Avenue.

In March, SBE said it was “no longer economically viable” to operate the Sahara.

GOING OUT WITH DIGNITY

Last week, Arash Azarbarzin, president of SBE’s hotel division, who has overseen the Sahara since the company took control, said the goal was to close the Strip resort “quietly and with dignity.”

His thoughts have been with employees like Villalobos, who remained loyal to the property, even as the city’s two-decade building boom added megaresorts that dwarfed the aged, 1,720-room Sahara.

Villalobos gave Azarbarzin a firm handshake last week and thanked him for the four years that SBE kept the property operating. The year SBE took over, the company spent about $2 million to refurbish and make cosmetic changes to the Sahara’s public areas. SBE never operated the casino; that was done by Navegante Group read more…
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Sahara Marquee
Sahara Marquee

From ClassicLasVegas.SquareSpace.Com

Wilbur Clark’s Desert Inn Hotel History / The Swinging Sahara Hotel History – 1950s

The Swinging Sahara Hotel History – 1950s
Post-WWII Las Vegas must have looked very inviting. Men with vision were coming into town to build hotels to cater to Americans hungry to travel after the rationing and sacrifices of the War. In less than ten years, there were five hotels, the El Rancho Vegas, Hotel Last Frontier, the Fabulous Flamingo, the Thunderbird and Wilbur Clark’s Desert Inn built on the two-lane highway that led to Fremont Street.

Though some locals wondered where all the people would come from to fill the new resorts, the men with vision kept assuring everyone they would come.

Fred Schivo was a long-time gamer who had the idea for the Club Bingo, a 300-seat bingo parlor. He had to find investors that would be willing to take the financial plunge. He lucked out when he met Milton Prell from Butte, Montana. Prell had operated the “30 Club” in Butte but like many other gambling visionaries of the day he relocated to the friendly climes of Las Vegas in the 1940s. Though not as well known today as others such as Wilbur Clark and Del Webb, Prell nonetheless, made an impact on Las Vegas.

Club Bingo opened on a rainy day, July 24th, 1947. In addition to the bingo parlor there were a few other games of chance but the Club Bingo had a reputation for fine food in its Bonanza Room. There were no hotel rooms, the Club Bingo was just a club for gambling, fine dining and they had a small showroom that showcased the talented Dorothy Dandridge, comedian Stan Irwin and the Treniers.

Milton Prell soon realized that the future of the Las Vegas Strip was in having a resort hotel that catered to the tourists swarming in from Southern California. That meant financing the building of a major hotel

Located on the east side of the Highway and directly across from the El Rancho Vegas, the Club Bingo had a prime location. In the years ahead, Prell would also build the Lucky Strike and the Mint Hotel on Fremont Street but it was the construction of the Sahara that led to the creation of the Sahara-Nevada Corporation which he would ultimately sell to Del Webb.

Prell approached Dallas financial wizard A. Pollard Simon with plans for 276 two-story units. Simon agreed to go ahead with the Sahara project despite the fact he was also helping finance Wilbur Clark’s Desert Inn. Local air-conditioning contractor Al Wild introduced Prell to Del Webb. Webb had just finished working on the Fabulous Flamingo. Wild had known Webb since 1935. Ultimately, according to Wild, Webb, Prell and Simon agreed to a “cost plus” arrangement that included a percentage of stock (20% it was later learned) in the new hotel be given to Webb as partial payment for his services.

The architect was Max Maltzmann and the designer was Albert Parvin. Maltzmann had been working in Los Angeles since the 1920s. Architecturally, according to Alan Hess, “the Sahara followed the basic partner of the Desert Inn and the Thunderbird. It featured a tall brick pylon at the entry which anchored the low wings that spun outward from its center like a pinwheel.” The motif was similar to the Arizona Biltmore in Phoenix by Frank Lloyd Wright. There the sculptural elements of the textile block provided ornament. At the Sahara, the signage became the ornament.

The theme was North Africa. Statues of plastic camels and Arabs dotted the facade. Inside there was the Congo Room (the showroom), the Casbah Lounge and the Caravan Room. All that seemed to be missing was the Cafe Americain from Casablanca. Life-size models of African warriors, spears held high, flanked the Congo Room entrance. A nomadic caravan including camels was placed out front on the lawn.
The Caravan Room looked out over the pool terrace. Like all the other hotels back then, the Sahara was basically a motel in form. It had a low main building with a lobby and a casino in the front and the rooms to the sides. The glassy restaurants such as the Caravan Room looked out not only on the pool area but the well manicured and landscaped lawns. Lucius Beebe gushed “its twenty acres of landscaped ground with rare blossoms and shrubs to make even Boston’s Public Gardens look to its tulips” read more, virtually all about it with note-links, photos and more.

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Food Ark

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FROM NATIONAL GEOGRAPHIC
July 2011

“A crisis is looming: To feed our growing population, we’ll need to double food production. Yet crop yields aren’t increasing fast enough, and climate change and new diseases threaten the limited varieties we’ve come to depend on for food. Luckily we still have the seeds and breeds to ensure our future food supply—but we must take steps to save them.”

Food Arcs Conservationist Cary Fowler - Photo Jim Richardson
Food Arc's Conservationist Cary Fowler - Photo Jim Richardson

Conservationist Cary Fowler holds two vials of peas. The sleek structure behind him holds the Svalbard Global Seed Vault, which he founded in Norway to help stop the mass extinction of crops that threatens our future food supply.
www.jimrichardsonphotography.com

MORE FROM NATIONAL GEOGRAPHIC
By Charles Siebert
Photograph by Jim Richardson

“Six miles outside the town of Decorah, Iowa, an 890-acre stretch of rolling fields and woods called Heritage Farm is letting its crops go to seed. It seems counterintuitive, but then everything about this farm stands in stark contrast to the surrounding acres of neatly rowed corn and soybean fields that typify modern agriculture. Heritage Farm is devoted to collecting rather than growing seeds. It is home to the Seed Savers Exchange, one of the largest nongovernment-owned seed banks in the United States.”

“In 1975 Diane Ott Whealy was bequeathed the seedlings of two heirloom plant varieties that her great grandfather had brought to America from Bavaria in 1870: Grandpa Ott’s morning glory and his German Pink tomato. Wanting to preserve such unique varieties, Diane and her husband, Kent, decided to establish a place where people could store and trade the seeds of their own past. The exchange now has more than 13,000 members and keeps in its walk-in coolers, freezers, and root cellars the seeds of many thousands of heirloom varieties. The farm grows a glorious profusion of select vegetables, herbs, and flowers around an old red barn that is covered in Grandpa Ott’s stunningly deep purple morning glory blossoms.”

“Each year our members list their seeds in this,” Diane Ott Whealy says, handing over a copy of the Seed Savers Exchange 2010 Yearbook. It is as thick as a big-city telephone directory, with page after page of exotic beans, garlic, potatoes, peppers, apples, pears, and plums—each with its own name, personal history, and distinct essence. There’s an apple known as Beautiful Arcade, a “yellow fruit splashed with red”; one named Prairie Spy, described as “precocious”; another dubbed Sops of Wine that dates back to the Middle Ages. There’s an Estonian Yellow Cherry tomato obtained from “an elderly Russian lady” in Tallinn, a bean found by archaeologists searching for pygmy elephant fossils in New Mexico, a Persian Star garlic from “a bazaar in Samarkand.”
More from National Geographic

From the comments forum of Hines.Blogspot.Com:
THURSDAY, JUNE 30, 2011 10:17:00 AM CDT
Paul Heald said…
“except for the fact that the RAFI study Siebert relies upon has been discredited and recent studies show an increase in crop diversity in the twentieth century and his apple data is completely incorrect . . . to see the raw numbers that he misses check out: “Crop Diversity Report Card for the Twentieth Century: Diversity Bust or Diversity Boom?” at http://papers.ssrn.com/sol3/papers.cfm?abstract_id=1462917 and “Apple Diversity Report Card” at http://papers.ssrn.com/sol3/papers.cfm?abstract_id=1543336.”

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27 year old hipster musician Amy Winehouse found dead in London flat

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Amy Winehouse - Photo WitchesBrewOnLine.com
Amy Winehouse - Photo WitchesBrewOnLine.com

It was no surprise to hear this blurb on the radio this morning, July 23, 2011 at 11:00 AM. Amy Winehouse joins that long list of rock musicians who leave way too soon. – LVBC

FROM WIKIPEDIA
“The 27 Club, also occasionally known as the Forever 27 Club or Club 27, is a name for a group of influential rock music artists who died at the age of 27. The 27s: The Greatest Myth of Rock & Roll details the history of the phenomenon.”

Musicians usually included in the 27 Club

The impetus for the club’s creation were the deaths of Jones, Hendrix, Joplin and Morrison.[1] Cobain, who died in 1994, was later added by some. With the exception of Joplin, there is controversy surrounding their deaths. According to the book Heavier Than Heaven, when Cobain died, his sister claimed that as a kid he would talk about how he wanted to join the 27 Club.[2] On the fifteenth anniversary of Kurt Cobain’s death, National Public Radio’s Robert Smith said, “The deaths of these rock stars at the age of 27 really changed the way we look at rock music.”[3] The 27s: The Greatest Myth of Rock & Roll details the history of the phenomenon more from WIKI

FROM CBSNEWS.COM
July 23, 2011 12:42 PM
Amy Winehouse found dead

(CBS News) Last Updated 1:11 p.m. ET
Singer Amy Winehouse has been found dead in her North London home, police have confirmed.

BBC News reports that ambulance crews were sent to her apartment, but the 27-year-old was pronounced dead.

Her death is being treated as unexplained, according to police.

Winehouse has struggled with drug and alcohol abuse. In May it was reported that she checked into a treatment facility after her father, Mitch, encouraged her to seek help. But she left rehab after a week, and resumed a European tour – which she ended prematurely More from CBSNews.Com

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